mind-blown, mindful, or just thinkin' bout stuff. Some links
As I troll through some stuff for that Black Triangles follow-up post on managing innovators, the saved links are like a tsunami. Let us unspool some and maybe a pony or moonshot might pop out.
[Update: down-post, we reference the multi-tasking hydra in 2 links from the NYT and The Atlantic. Slackermanager.com has posted something cool on taming the beast: Multi-tasking Must Die: 5 Ways to Single Task
Here's something on how emotion and its cascade of neuro-chemicals is like a nail-gun for those post-it notes we call memories--Via mnemosyne:
Describing the brain as a big circuit board in which each new experience creates a new circuit, Hopkins neuroscience professor Richard Huganir, Ph.D. says that he and his team found that during emotional peaks, the hormone norepinephrine dramatically sensitizes synapses – the site where nerve cells make an electro-chemical connection – to enhance the sculpting of a memory into the big board.Via Seed Magazine, about how we arrange what we know and perceive (what we've noted, experienced, and remember) affects what we can imagine: The Future of Science is... Art?
Norepinephrine, more widely known as a "fight or flight" hormone, energizes the process by adding phosphate molecules to a nerve cell receptor called GluR1. The phosphates help guide the receptors to insert themselves adjacent to a synapse. "Now when the brain needs to form a memory, the nerves have plenty of available receptors to quickly adjust the strength of the connection and lock that memory into place," Huganir says.
...[Niels] Bohr had spent time analyzing the radiation emitted by electrons, and he realized that science needed a new metaphor. The behavior of electrons seemed to defy every conventional explanation. As Bohr said, "When it comes to atoms, language can be used only as in poetry." Ordinary words couldn't capture the data.That's from Jonah Lehrer of Frontal Cortex blog. Leonard Shlain's book, Art and Physics: Parallel Visions in Space, Time, and LightBohr had long been fascinated by cubist paintings. As the intellectual historian Arthur Miller notes, he later filled his study with abstract still lifes and enjoyed explaining his interpretation of the art to visitors. For Bohr, the allure of cubism was that it shattered the certainty of the object. The art revealed the fissures in everything, turning the solidity of matter into a surreal blur.
Bohr's discerning conviction was that the invisible world of the electron was essentially a cubist world. By 1923, de Broglie had already determined that electrons could exist as either particles or waves. What Bohr maintained was that the form they took depended on how you looked at them. Their very nature was a consequence of our observation. This meant that electrons weren't like little planets at all. Instead, they were like one of Picasso's deconstructed guitars, a blur of brushstrokes that only made sense once you stared at it. The art that looked so strange was actually telling the truth.
For more fearless scouts, IBM has a long but intriguing Dave Snowden/Cynthia Kurtz paper on The New Dynamics of Strategy: Sense-making in a complex and complicated world. A snip...
Economic Stimulus idea: Brake the constant chase to multi-channel stimulation when possible. Memo to me: Stop pretending you can track, kill, skin and cook the bear. And the rabbit. And the deer. All at once. And well. First, The New York Times:The Cynefin framework
The name Cynefin is a Welsh word whose literal translation into English as habitat or place fails to do it justice. It is more properly understood as the place of our multiple affiliations, the sense that we all, individually and collectively, have many roots, cultural, religious, geographic, tribal, and so forth. We can never be fully aware of the nature of those affiliations, but they profoundly influence what we are. The name seeks to remind us that all human interactions are strongly influenced and frequently determined by the patterns of our multiple experiences, both through the direct influence of personal experience and through collective experience expressed as stories...
We consider Cynefin a sense-making framework, which means that its value is not so much in logical arguments or empirical verifications as in its effect on the sense-making and decision-making capabilities of those who use it. We have found that it gives decision makers powerful new constructs that they can use to make sense of a wide range of unspecified problems. It also helps people to break out of old ways of thinking and to consider intractable problems in new ways. The framework is particularly useful in collective sense-making, in that it is designed to allow shared understandings to emerge through the multiple discourses of the decision-making group.
But the paper also found that “beyond an optimum, more multitasking is associated with declining project completion rates and revenue generation.”That's a short sober piece on the modern illusion of busy-ness as good for business. Next, The Atlantic has a longer, more entertaining and personal view: Walter Kirn's odyssey through the nightmare of infinite connectivity begins when his girlfriend sends him a nude cellphone pic and he send his car through a fence while enjoying the, uh, stimulating composition.
For the executive recruiters, the optimum workload was four to six projects, taking two to five months each.
The productivity lost by overtaxed multitaskers cannot be measured precisely, but it is probably a lot. Jonathan B. Spira, chief analyst at Basex, a business-research firm, estimates the cost of interruptions to the American economy at nearly $650 billion a year.
...Much of the problem is the metaphor. Or perhaps it’s our need for metaphors in general, particularly when the subject is our minds and the comparison seems based on science. In the days of rudimentary chemistry, the mind was thought to be a beaker of swirling volatile essences. Then came classical physical mechanics, and the mind was regarded as a clocklike thing, with springs and wheels. Then it was steam-driven, maybe. A combustion chamber. Then came electricity and Freud, and it was a dynamo of polarized energies—the id charged one way, the superego the other.Geez. After all that, the band's gonna take a break. Listen to Tom Chapin sing "Not on the test" to mellow us down a bitNow, in the heyday of the microchip, the brain is a computer. A CPU.
Except that it’s not a CPU. It’s whatever that thing is that’s driven to misconstrue itself—over and over, century after century—as a prototype, rendered in all-too- vulnerable tissue, of our latest marvel of technology. And before the age of modern technology, theology. Further back than that, it’s hard to voyage, since there was a period, common sense suggests, when we didn’t even know we had brains. Or minds. Or spirits. Humans just sort of did stuff. And what they did was not influenced by metaphors about what they ought to be capable of doing but very well might not be equipped for (assuming you wanted to do it in the first place), like editing a playlist to e-mail to the lover whose husband you’re interviewing on the phone about the movie he made that you’re discussing in the blog entry you’re posting tomorrow morning and are one-quarter watching certain parts of as you eat salad and carry on the call.
Labels: complexity, hyper-realism, moonshots and tsunamis, neuroscience, OODA


























